Women

My Review of the New Film Mustang Published by Bitch

To read the article on Bitch, click here.

NEW FILM “MUSTANG” EXPLORES YOUNG WOMEN’S VITALITY—AND PATRIARCHY’S BRUTALITY
by Stephanie AbrahamNews_en-Mustang-1

The beautiful and challenging new film Mustang looks at the lengths that people will go to crush female independence and sexuality, and the varied responses young women can have in the face of strangling sexism and male domination. It’s notable that the film, which takes place in Turkey with a Turkish cast, is France’s official entry to the Academy Awards—the director, Deniz Gamze Ergüven, is Turkish and French.

Mustang’s story is told through the eyes of Lale (Günes Sensoy), the youngest of five orphaned sisters who are being raised by their grandmother in a small Turkish town. Lale is only nine years old, but is wise enough to see injustice and sassy enough to renounce it. The film opens with her as narrator saying, “It’s like everything changed in the blink of an eye. One moment we were fine, then everything turned to shit.” (more…)

My Article on #KatyPerrySuperBowl Got 14K Hits in 3 Days

Right after the Super Bowl, I published my take on the halftime show on my blog Feminist in the Suburbs. The next morning Bitch republished the article and got over 14K hits in 3 days! Check it out: Katy Perry’s Extremely Straight Performance of “I Kissed a Girl” at the Super Bowl.

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Jeannie’s American Dream: My Feature Article–on Newsstands Now!

Jeannie

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To read this article (in PDF), click here: Jeannie’s American Dream-The Assimilation of a TV Icon. It’s in the winter issue of the print magazine Bitch. Yes, that’s right, print is NOT dead. Get your copy now at your local bookstore, newsstand or on their website.

To hear me interviewed about the article on the podcast Popaganda, click here.

I look at how Jeannie, from the 1960s sitcom I Dream of Jeannie, started off as an over-the-top Arab stereotype, but over the show’s five-year run was forced to assimilate due to pressure from network executives who wanted her to be more “likeable,” i.e. American. I also break down how Orientalism helped ratings and why, even though Jeannie calls Tony “Master,” she can be read as a feminist, transgressive character.

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