The Promise, Hollywood’s first blockbuster about the Armenian genocide, hits theaters this weekend. The film deserves applause in spite of critics’ poor reviews. Check out this interview on Rising Up with Sonali to hear more about the controversy surrounding the film, what it does well and where it falls short.
If you’re in the LA area (and have a radio!), this interview will air on KPFK, 90.7 FM, on Monday, April 24, which is Armenian Genocide Remembrance Day, between 8–9 AM.
Heba Amin, an Egyptian visual artist, Karam, an Egyptian-German artist, and Don painted Arabic graffiti on the set of Showtime’s series Homeland [Al Jazeera]
To read the article on Al Jazeera’s site, click here.
Homeland hacker challenges media portrayals of Muslims
Visual artist Heba Amin discusses the thin line between news and entertainment and making a point through humour.
When the German publisher Don Karl approached Heba Amin, an Egyptian visual artist and researcher, to paint Arabic graffiti on the set of Showtime’s series Homeland, her initial impulse was to decline, as others had before her.
She rejected what she viewed as the programme’s orientalism and its framing of diverse peoples from South and West Asia as monolithic evildoers.
But then she reconsidered. What if she could use the moment to spark a dialogue?
So, in collaboration with her colleagues, Karam, an Egyptian-German artist, and Don, she did just that.
To hear me interviewed about the article on the podcast Popaganda, click here.
I look at how Jeannie, from the 1960s sitcom I Dream of Jeannie, started off as an over-the-top Arab stereotype, but over the show’s five-year run was forced to assimilate due to pressure from network executives who wanted her to be more “likeable,” i.e. American. I also break down how Orientalism helped ratings and why, even though Jeannie calls Tony “Master,” she can be read as a feminist, transgressive character.