representation

I Made My Debut on Rising Up With Sonali! listen in and watch! #thejunglebook #ruwithsonali

 

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I’ve made my debut as the Film Critic and Pop Culture Correspondent on Rising Up with Sonali! We discussed the colonial and racist past — and present — of The Jungle Book. You can see the video here. If you’re in the LA area, the radio interview will be aired on KPFK 90.7 FM on Monday 4/18 at 8:20 AM, and online at kpfk.org

My Review of the New Film Mustang Published by Bitch

To read the article on Bitch, click here.

NEW FILM “MUSTANG” EXPLORES YOUNG WOMEN’S VITALITY—AND PATRIARCHY’S BRUTALITY
by Stephanie AbrahamNews_en-Mustang-1

The beautiful and challenging new film Mustang looks at the lengths that people will go to crush female independence and sexuality, and the varied responses young women can have in the face of strangling sexism and male domination. It’s notable that the film, which takes place in Turkey with a Turkish cast, is France’s official entry to the Academy Awards—the director, Deniz Gamze Ergüven, is Turkish and French.

Mustang’s story is told through the eyes of Lale (Günes Sensoy), the youngest of five orphaned sisters who are being raised by their grandmother in a small Turkish town. Lale is only nine years old, but is wise enough to see injustice and sassy enough to renounce it. The film opens with her as narrator saying, “It’s like everything changed in the blink of an eye. One moment we were fine, then everything turned to shit.” (more…)

My Q&A with Homeland Hacker Heba Amin Published by Al Jazeera!

Heba Amin Photo

Heba Amin, an Egyptian visual artist, Karam, an Egyptian-German artist, and Don painted Arabic graffiti on the set of Showtime’s series Homeland [Al Jazeera]

To read the article on Al Jazeera’s site, click here.

Homeland hacker challenges media portrayals of Muslims

Visual artist Heba Amin discusses the thin line between news and entertainment and making a point through humour.

When the German publisher Don Karl approached Heba Amin, an Egyptian visual artist and researcher, to paint Arabic graffiti on the set of Showtime’s series Homeland, her initial impulse was to decline, as others had before her.

She rejected what she viewed as the programme’s orientalism and its framing of diverse peoples from South and West Asia as monolithic evildoers.

But then she reconsidered. What if she could use the moment to spark a dialogue?

So, in collaboration with her colleagues, Karam, an Egyptian-German artist, and Don, she did just that.

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My Radio Interview on Uprising: Anti-Arab Racism & Orientalism in Homeland & Quantico

Uprising

Uprising host Sonali Kolhatkar interviewed me about my article on the Orientalism in Quantico and the subversive Arabic graffiti art on Homeland. Listen to the interview here.

Jeannie’s American Dream: My Feature Article–on Newsstands Now!

Jeannie

Jeannie title

To read this article (in PDF), click here: Jeannie’s American Dream-The Assimilation of a TV Icon. It’s in the winter issue of the print magazine Bitch. Yes, that’s right, print is NOT dead. Get your copy now at your local bookstore, newsstand or on their website.

To hear me interviewed about the article on the podcast Popaganda, click here.

I look at how Jeannie, from the 1960s sitcom I Dream of Jeannie, started off as an over-the-top Arab stereotype, but over the show’s five-year run was forced to assimilate due to pressure from network executives who wanted her to be more “likeable,” i.e. American. I also break down how Orientalism helped ratings and why, even though Jeannie calls Tony “Master,” she can be read as a feminist, transgressive character.

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Hello Kitty Is Not A Cat, But A Girl…Without a Voice–My Article Published by Role Reboot

Hello Kitty

I remember walking into the Sanrio store as a little girl and thinking I had landed in heaven. No other store in our suburban mall carried what I needed to survive elementary school: lunch boxes, pencils and their holders, markers, erasers, and so much more. We used to call it “the Hello Kitty store” because the famous white feline’s face—with her black eyes, yellow nose, three whiskers on each cheek, and pink bow over her right ear—appeared on every product.

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