I’ve made my debut as the Film Critic and Pop Culture Correspondent on Rising Up with Sonali! We discussed the colonial and racist past — and present — of The Jungle Book. You can see the video here. If you’re in the LA area, the radio interview will be aired on KPFK 90.7 FM on Monday 4/18 at 8:20 AM, and online at kpfk.org.
Check out my review published today by the feminist pop culture magazine Bitch. Also in its entirety below:
In 2011, The New York Times described reporter Kim Barker’s war memoir, The Taliban Shuffle: Strange Days in Afghanistan and Pakistan, as “hilarious and harrowing, witty and illuminating” and wrote that Barker “depicts herself as sort of a Tina Fey character.” Within weeks, Fey bought the book’s film rights. Fey wanted to play a strong character who excelled in a male-dominated field, to show that women can back each other in the workplace, and dedicate the work to her father, a veteran and journalist, who passed away last year. The result isWhiskey Tango Foxtrot.
The film’s trailers present the movie as a comedy a la Sisters, and although it has been dubbed a “feminist comedy,” it’s more of a dramedy with a little rom-com thrown in. While the film accomplishes Fey’s aforementioned goals, in doing so it champions a white, middle-class American feminism that sees Western women as free and other women, in this case Afghan women, as oppressed. This Orientalist storyline is not only problematic and unoriginal, it’s also dangerous as it continues to be used to justify U.S.-led wars in Afghanistan, Iraq and other places throughout South, Central and West Asia. (more…)
Heba Amin, an Egyptian visual artist, Karam, an Egyptian-German artist, and Don painted Arabic graffiti on the set of Showtime’s series Homeland [Al Jazeera]
To read the article on Al Jazeera’s site, click here.
Homeland hacker challenges media portrayals of Muslims
Visual artist Heba Amin discusses the thin line between news and entertainment and making a point through humour.
When the German publisher Don Karl approached Heba Amin, an Egyptian visual artist and researcher, to paint Arabic graffiti on the set of Showtime’s series Homeland, her initial impulse was to decline, as others had before her.
She rejected what she viewed as the programme’s orientalism and its framing of diverse peoples from South and West Asia as monolithic evildoers.
But then she reconsidered. What if she could use the moment to spark a dialogue?
So, in collaboration with her colleagues, Karam, an Egyptian-German artist, and Don, she did just that.
I remember walking into the Sanrio store as a little girl and thinking I had landed in heaven. No other store in our suburban mall carried what I needed to survive elementary school: lunch boxes, pencils and their holders, markers, erasers, and so much more. We used to call it “the Hello Kitty store” because the famous white feline’s face—with her black eyes, yellow nose, three whiskers on each cheek, and pink bow over her right ear—appeared on every product.